Film
Complexities of Urban Terror
Next year marks the 20th anniversary of the collapse of communism in Eastern Europe. I'd wager that there are few British 18-year-olds around now who have any idea what communism, in either theory or practice, actually meant for millions of people. If they're from state schools, they'll certainly know about the Nazi Holocaust and something too about the slave trade from their history teachers. If they weren't paying attention, then by osmosis alone some impressions of these events would have entered their subconscious via television and the cinema. Popular culture - Hollywood, the BBC - has, on the whole, been good at keeping them alive.
Previous columns
Brideshead Reductus
PETER WHITTLEOctober 2008
The new movie version of Waugh's classic fails to match either the novel or the TV series
Devonshire Cream
PETER WHITTLESeptember 2008
This sumptuous, confident telling of an 18th-century duchess's story may spark some welcome interest in our British history
That's Enough Protest Movies
PETER WHITTLEAugust 2008
This summer, we’ve seen the release of two more leftwing documentaries. Isn’t it about time the other side said its piece?
Magically Surreal
PETER WHITTLEJuly 2008
Far from sending out subliminal religious messages, The Chronicles of Narnia: Prince Caspian is an uncomplicated adaptation of a children's classic
All the Nice Girls Love a Poet
PETER WHITTLEJune 2008
The latest literary biopic, The Edge of Love, presents Dylan Thomas as a dreary boorish philanderer, not a great writer
