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While Moore's Modernism is self-evident Rodin's is less so. There are, however, numerous aspects of his work that distance him from the academic figurative tradition. Like Moore he frequently saw the body as an aspect of landscape with figures emerging organically from their surroundings. He too tried to sculpt the subcutaneous world as well as the external, blurring the topography of the body with that of nature. Both men were fascinated by the torso as the sculptor's starting point.

This exhibition is not at first sight an obvious pairing — the artists' differences are more striking than their similarities. Moore, though, was explicit about the Frenchman's influence: "I began to realise that a lot of things one might be using and being influenced by are, compared with Rodin, altogether too easy." With a selection of sculptures, drawings and maquettes from the Musée Rodin in Paris joining the Moores in situ, the extent of Rodin's posthumous example (he died in 1917 when Moore was 19) can be seen in full.

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